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432 Hz, otherwise known as Verdi’s A, was the music tuning standard prior to today’s tuning of 440 Hz. 432 Hz is widely considered a superior tuning that makes music more pleasant to listen to and has a positive influence on the human mind and body. 432 Hz also has interesting relationships with our planet and history.
Different music invokes different emotions. We all know that.
Crooning love ballads make us feel romantic (or sick). Trashing metal songs inspire intense head banging and fist pumping. Blues leave us reminiscing about times past and old relationships. And an orchestral work by Mozart can sometimes seem to move our very being.
We know there’s something to the style, the tempo, the melody, and the lyrics of our favorite songs that affects how we feel.
But what if I told you there’s another factor at play, one you don’t even notice?
There is, and it’s called frequency.
Whether you realize it or not, the frequency music is tuned to has a profound effect on you.
And unfortunately, the “standard” frequency used in most modern music may not be a positive one, or least not as positive as it could be.
432 Hz was the original music tuning standard, but it was lost and replaced by an inferior tuning.
Modern Music Tuning – 440 Hz
From concert halls to your favorite streaming service, most music you hear today is tuned to 440 Hz. Yet this tuning is barely a hundred years old.
For thousands of years, from Egypt to Greek, a different frequency was used.
As shown by musician Brian T. Collins, the Schiller Institute, and even physicists and scientists, the 440 Hz frequency not only lacks mathematical or scientific significance, it’s actually out of tune with the natural world and greater universe.
For this reason, many believe that this 440 Hz pitch doesn’t just make music less pleasant and enjoyable, but it actually has a negative effect on our mind, our consciousness, our natural energies and vibrations, and our spirituality.
It is argued that the 440 Hz tuning keeps us closed off from a higher sense of meaning and disconnected from our surroundings.
If that’s the case, then why is 440 Hz the modern standard?
Well, it all started in the late 19th century with a man named J.C. Deagan.
Using his wealthy connections, he not only began manufacturing musical instruments in 440 Hz, he began lobbying in Europe and the United States to adopt the frequency as the standard concert pitch.
Deagan’s first success came in 1917, when the American Federation of Music adopted 440 Hz. By 1922, it was the standard pitch through the United States.
In the 1940s, it began spreading throughout the rest of the world, and in 1953 the International Organization of Standardization established it as the international, or ISO 16, standard.
It remains the music standard around the world to this day.
Why would a manufacturer of musical instruments want to establish a new standard pitch?
Because in most cases, you can’t simply change the tuning on an instrument to 440 Hz when it was designed to be played at another frequency. It’s possible, but it won’t sound right – and can even be damaging to the instrument.
In short, the change in pitch would have forced thousands, if not millions, of new instruments to be purchased. And you can bet this was very lucrative for Deagan.
While some claim 440 Hz was introduced for more conspiratorial reasons, like as a form of government propaganda and mind control (and this is certainly possible), it’s just as likely that it was simply a way for a businessman, namely J.C. Deagan, to make more money.
The Ancient Tuning – 432 Hz
Stradivarius violins, built throughout the late 17th and early 18th centuries, were tuned to 432 Hz
But what tuning was used before 440 Hz became the standard?
It was 432 Hz.
In fact, researcher and musician Ananda Bosman has shown that instruments uncovered from ancient Egypt used this tuning.
Then there are the Stradivarius violins, which were built throughout the late 17th and early 18th centuries and today are worth millions, owing to their superior construction and sound.
These wonderful instruments were tuned to 432 Hz, and scientists have now found out why.
Using software normally reserved for speech analysis, researchers found that violins from the two Cremonese luthiers mimic aspects of the human voice, a feature they argue adds to the instruments’ exceptional musical quality.
This gives credence to the fact that 432 Hz resonates with humans and the world around us; something we will explore in greater detail in the next section.
The natural 432 Hz vibration was used by Mozart and Italian opera composer, Giuseppe Fortunino Francesco Verdi.
In fact, Verdi once wrote to the Congress of Italian Musicians to suggest 432 Hz as the concert standard.
Since France has adopted a standard pitch, I advised that the example should also be followed by us; and I formally requested that the orchestras of various cities of Italy, among them that of the Scala [Milan], to lower the tuning fork to conform to the standard French one. If the musical commission instituted by our government believes, for mathematical exigencies, that we should reduce the 435 vibrations of French tuning fork to 432, the difference is so small, almost imperceptible to the ear, that I associate myself most willingly with this.
He was unsuccessful.
432 Hz wasn't just something reserved for Western composers either. Sound researcher Jamie Buturff, with the help of a Korg tuner, found that the singing bowls and other instruments of Tibetan monks are tuned to 432 Hz.
It is also said that the instruments of the ancient Greek god of music, Orpheus, were tuned to this harmonic frequency.
Why exactly did this frequency have such long reach, stretching through time and around the globe?
Perhaps it’s due to the mathematical consistency 432 Hz has with the vibrations of the natural universe.
After all, Verdi’s endorsement of 432 Hz was also backed by physicists and scientists Felix Savart, Joseph Sauveur, and Bartolomeo Grassi Landi.
It’s relation to the Schumann Resonance is just one example of the significance of 432 Hz, so let's have a look at that.
432 Hz has roots in ancient Greece, starting with Orpheus and his ability to charm all living things with his music.
432 Hz: The Heartbeat of the Planet
Named after Winfried Otto Schumann, the German physicist who first discovered it, the Schumann Resonance refers to the electromagnetic frequencies between 7.86 and 8 Hz activated by lightning in the area between the ionosphere and the surface of the Earth.
These resonances are essentially our planet’s heartbeat.
By working from 8 Hz, we find note C at either 128 or 256 Hz, depending on the scale we use.
And note A? We'd find that at 432 Hz, otherwise known as “Verdi’s A”.
In short, 432 Hz is in tune with the Earth itself.
We don’t find any such significance with 440 Hz.
432 continues to show up wherever we look, including at ancient sites, like the Great Pyramid of Giza, Stonehenge, and Sri Yantra.
As noted by Scottish born composer Brian T. Collins:
From my own observations, some of the harmonic overtone partials of A=432hz 12T5 appear to line up to natural patterns and also the resonance of solitons.
Solitons need a specific range to form into the realm of density and span from the micro to the macro cosmos. Solitons are not only found in water mechanics, but also in the ion-acoustic breath between electrons and protons.
Brian has also documented 432 Hz’s relation to the golden mean, Phi, as it vibrates in tune with nature, our biology and DNA, and even our consciousness.
432 Hz is considered to have the potential to synchronize both hemispheres of our brain – the logical and analytical left brain and the creative and intuitive right brain – creating what scientists call “whole brain synchronization”, maximizing our potential as thinkers, artists, and spiritual beings.
Other music scholars have revealed further compelling evidence that 440 Hz is not ideal:
In her book, Intervals Scales Tones and the Concert Pitch C=128hz, Maria Reynolds showed that pitches higher than the scientific C prime of 128 Hz, which coincides with an A of 432 Hz, creates a disconnect between our bodies and consciousness, as well as social friction with the people around us.
That means 440 Hz is potentially contributing to the internal and external strife of the modern world. Unbeknown to us, it is smothering our intuition, hindering our creativity, cutting us off from our spirituality, and making us more antisocial.
432 Hz is known as Verdi's A. Mozart also played in this tuning.
How Can We Return to 432 Hz?
Between 432 Hz’s mathematic and scientific significance and its positive effects on our minds, bodies, and consciousness, it may seem obvious that we should go back to this ancient tuning and ditch the modern 440 Hz.
And many are advocating for this change. Indeed, to paraphrase Richard Huisken, Founder of the ‘Back to 432 Hz' Committee:
Music at 432 Hz is nicer for hearing, softer, brighter and more beautiful than music in 440 Hz. Though the untrained ear may not hear this difference; it can be felt.
But changing the standard tuning isn’t that easy.
In principle, most instruments could be retuned. But some couldn't be, and this would mean buying a whole lot of new instruments. Not to mention all of the red tape and bureaucratic nonsense there is to cut through with music academies and composers.
Fortunately, that doesn’t mean you can’t introduce more 432 Hz music to your own life.
And why wouldn’t you?
It has the power to bring you more in harmony with nature. And after all, as humans, we are a part of nature.
Over time, listening to our beautiful music created at 432 Hz tuning increases your sense of well-being and connectedness to wider world.
432 Hz Tone
You might find it engaging your intuition, increasing your creativity, sharpening your intellect, and even expanding your consciousness.
Many describe 432 Hz music as more of an interior experience that fills your body, as opposed to the external sensation felt with 440 Hz. It is an all-consuming, innate connection, a more enjoyable, pleasant listening experience.
Why wouldn’t you want better music in your life?
An old Soap Lake High School (Soap Lake, Washington) buddy, Mike McNamara had just watched a History Channel episode on the 110 Hz phenomena. Knowing the HHTM blog and my interest in strange things relative to hearing, sound and audiology, he asked me if I had ever done anything a blog on this topic. For Mac and others interested, if you did not see them first time around, I wrote a bit on this topic in May, 2013 in a series called the Auditory Clues to Extraterrestrial Visits, Part I, Part II & Part III and about 3 years ago (February, 2015) in a discussion of Binaural Beats which are closely related to the 110Hz phenomena. While none of these blogs specifically discuss the 110 Hz phenomenon there is evidence that that many of the ancient temples and monuments in various parts of the world have one thing in common……. 110Hz sound that is engineered into their structures.
110 Hz is known to represent the human pitch. Buddhist and Hindu chant their mantras in the same frequency. Archeologists indicate that these chambers was used for rituals and chanting. In the structure 110 Hz resonance would then allow enhanced right brain activity. The right brain is the center for art, poetry, sensuality, spirituality, feelings, imaginations and innovations.https://www.healthline.com/health/left-brain-vs-right-brain The right mind is an intuitive gift while the left brain is a faithful servant. Studies have been found that once able to excess the right brain. A person becomes more problem solving and less conflicting in nature. It does not follow a logical pattern and thus is totally free. Something so sacred to our ancients that they build these structures to symbolize it.
432 Hz Frequency Generator
Archaeoacoustics is a new sub discipline with archeology that studies the acoustics within archaeological sites and artifacts. Since many of the ancient cultures focused on the oral and therefore the aural, it is becoming increasingly recognized that the study of the sonic nature within archaeological structures can enhance the understanding of these structures and the ancient cultures that created them. Archeoacoustics is an interdisciplinary field which includes areas such as archaeology, ethnomusicology, acoustics and digital modelling.
Hal Saflieni Hypogeum
Emerging studies in archaeology by these new professionals, described by the Old Temples Study Foundation, suggest that sound and a desire to harness its effects may have been equally important to the visual aesthetics in the design of humankind’s earliest ancient temples and monumental buildings. According to this new research, ancient, or prehistoric, builders of the monumental structures found in such diverse places as Ireland, Malta, southern Turkey and Peru all have a peculiarly common characteristic — they may have been specially designed to conduct and manipulate sound to produce certain sensory effects, in particular, the generation of a 110Hz sound (now measured by the archaeoacoustic professionals) which may also be set up to be used as Binaural beats. Beginning in 2008, a recent and ongoing study of the massive 6,000-year-old stone structure complex known as the Hal Saflieni Hypogeum on the island of Malta is producing some revelatory results. Located in Paola, Malta, the Hal Saflieni Hypogeum is a cultural property of exceptional prehistoric value and the only known example of a subterranean structure from the Bronze Age. The ‘labyrinth’, as it is often called, consists of a series of elliptical chambers and alveoli of varying importance across three levels, to which access is gained by different corridors. The principal rooms distinguish themselves by their domed vaulting and by the elaborate structure of false bays inspired by the doorways and windows of contemporary terrestrial constructions. The structure is unique in that it is subterranean and created through the removal of an estimated 2,000 tons of stone carved with stone hammers and antler picks. Acoustically, low voices within the walls of this carved out structure create eerie, reverberating echoes, and a sound made or words spoken in certain places can be clearly heard throughout all of its three levels. Now, scientists are suggesting that certain sound vibration frequencies created by the structure are at 110 Hz and when sound is emitted within its walls actually alter human brain functions of those within earshot. Many of these sophisticated cultures created Megalithic structures shows complicated aspect of archaeology known as Corbelling. A system of over-sailing row stones descending one by one. Balanced by dividing the weight of the stones equally. The Mathematics involved in the design of this carved limestone is massive an present in many structures around the world. Whether it was deliberate or not, but the people who spent time under its influence will resonate to the same frequency affecting their minds.
Its not just in Malta, but Ireland as well ….a structure about the same age as the Maltese one called, Newgrange is a Stone Age (Neolithic) monument in the Boyne Valley, County Meath, it is the jewel in the crown of Ireland’s Ancient East. Newgrange was constructed about 5,200 years ago (3,200 B.C.) which makes it older than Stonehenge and the Great Pyramids of Giza. Its also a 110 Hz signal structure……and there are many others!
![432 432](https://www.shiftfrequency.com/wp-content/uploads/2014/07/432FrequencySheetOfMusic.jpg)
References:
Jacobs, E. (2017). With Archaeoacoustics, Researchers Listen for Clues to the Prehistoric Past. Atlas Obscura. Retrieved February 12, 2018.
Newgrange.com (2018). Newgranges: World Heritage Site. Retrieved February 15, 2018.
432 Hz Generator
Popular Archaeology (2012). Ancient Builders Created Monumental Structures that Altered Sound and Mind, Say Researchers. Retrieve February 12, 2018
Traynor, R. (2015). Binaural Beats. Hearing Health and Technology Matters (HHTM). Retrieved February 12, 2018.
432 Hz Frequency Generator
Soap Lake Chamber of Commerce (2018) Soap Lake, Washington. Retrieved February 11, 2018.